This PowerPoint addresses representation of ethnicity and race in Blade Runner (Scott, 1982). The lesson covers: Whiteness in Blade Runner Techno-fascism Replicants - ubermensch, and analogue for US slave trade Asian culture and characters - Use of Asian cultural symbols in the city othernesses Other as exotic Representation of Latino/hispanic characters Essay structure/note taking handout

This pack contains a 40-slide PowerPoint presentation, a 24-page student booklet, and several other resources to be used in the session. The lesson covers: Starter - student experiences with crime and deviance in media Media Representation of Crime and Deviance overview: (1 slide on each of these topics:) Violence and Sex Crimes Media representation of victims Media exaggeration of certain crimes Media exaggeration of risk to victims Crime represented as a series of events Media overplay extraordinary crimes Dramatic Fallacy Soothill & Walby: the Balaclava Rapist / exaggeration of criminal acts New Values and Coverage Mediation of Crime / Crime as a social construct Selection / Organisation /Focus Task - students read Sky News article covering the mugging of Sajid Javid and analyse the use of langauge, exaggeration of crime, idelogical underpinning of this media report (the entire article is broken down in the PowerPoint (see screenshots for examples) News Values Fictional Representations of Crime: Surette [1998] – Fictional representations of crime, criminals and victims are the opposite of the official statistics. Immitaiton Arousal Desensitisation Transmission of Knowledge Stimulating Desire PROTRAYING THE POLICE AS INCOMPETENT or CORRUPT BY GLAMOURISING OFFENDING Evaluation of Fictional Representations of Crime Reading task - students read extract from the ‘Myth of Media Violence’ study and compare the findings to what we have covered in the lesson FEAR OF CRIME: Distortion of crime in the media RELATIVE DEPRIVATION AND CRIME Left Realist view Cultural Criminology Cultural Criminology with examples Global Cyber Crime The PowerPoint has a short ‘Moral Panics’ lesson attached to it. The slides are not to the same standard as the content listed above and have been included free of charge. I have covered Moral Panics in a more depth and with better resources in a previous Crimes and Deviance lesson pack: https://www.tes.com/teaching-resource/aqa-sociology-paper-3-conflict-theories-of-crime-and-deviance-12790478 Tasks are included throughout the lesson and student knowledge is tested throughout the session. The student booklet is to be filled in and completed during the lesson.

**This pack is designed for the Eduqas Film A Level, but it suitable for any one teaching/studying Non-Linear narratives/Pulp Fiction and narrative. The pack contains a 26-slide PowerPoint presentation that covers: Pulp Fiction: Experimental Narrativ**e [Specialist Study Area] starter - recap key narrative terms intro discussion: how does Pulp Fiction subvert traditional approaches to narrative? Section 1 - Goal Orientated Narratives - study of how PF’s approach to goal orientation is experimental Section 2 - Narrative resolutions - study of how PF’s approach to narrative resolution is experimental Section 3 - Binary Oppositions - study of how PF’s approach to binary oppostions is experimental Dialogue - how dialgue is used in place of cause and effect Themes - how themes drive the narrative and give coherence Final scene - analysis Plenary activities Assessement activities - essay planning and writing Additional resources: 11-page gapped handout for students to complete in the lesson A3 sized print out of film’s non-linear structure Breakdown of the three chapters and how themes are used

**This pack contains one 23-slide PowerPoint that teaches how to answer this question using Pulp Fiction as the chosen film. One 12-page booklet - note taking, fill in the gaps, analysis, detailed slides and essay planning document. ** Explore how far cinematography contributes to the experimental nature of your chosen film or films. [20] every analysis task comes with multiple slides breaking down the scenes and provide guidane for essay writing Lesson covers: Starter - Re-cap of conventional/mainstream American cinema approach to camera Short Martin Scorsese/ history of the Hollywood style - documentary extract and tasks Explanation of the ‘formal’ approach to cinematography - with examples Discussion of Tarantino’s most common ‘experimental’ uses of camera - with examples from the film How to write an introduction to the question - writing task Part 1 - 'using the camera to restrict information and create active spectators. The ‘Trunk shot’ Part 2 - Subversion of conventional approach / experimenting with scene construction Analysis of scene from Fast and Furious 7 - Comparative analysis of the ‘Marcellus meets Butch’ scene from the film Part 3 - French New Wave: camera in service of the characters, not narrative Analysis - scene from Breathless Analysis - comparison to final scene from the film Detailed visual breakdown of the final sequence Plenary/assessment: Read exemplar essay Review and re-write activity optional research task Essay planning activity [with booklet] Mark scheme

This pack contains a 20-slide PowerPoint presentation, a booklet students fill in and complete during the lesson The lesson covers: A Starter Task - students complete a short key term starter task - vowels have been removed, students must identify the word AND provide a definition ‘What is genre?’ recap Types of Musicals -Task - compare a sequence from Yankee Doodle Dandy to a sequence from The Greatest Showman Analysis and feedback tasks Non-Integrated vs. Integrated musicals Richard Dyer = Entertainment as Utopia Musicals Reflect ‘Social Tenions’ and 'Utopian Solutions PLENARY Grease Case study - application of all theory that has been taught in the lesson EXT task - analysis of *La La Land’s opening sequence

This pack contains a 26 slide PowerPoint presentation addressing IDEOLOGY and meaning in J Glazer’s Under the Skin The pack also contains a student handout, a complete (assessed) response, essay plan, additional reading materials. I have also attached a YouTube link to a video version of this lesson students can use to consolidate their knowledge and understanding. This lesson is ideal for anyone teaching UTS as part of the EDUQAS AL Film: Component 1 - Section C: British cinema, module. This lesson contains a lot of content, is primarily focused on linking theory/ideology with the textual elements of the film. The lesson covers: Starter - re-cap sci-fi genre conventions Introduce exam question Starter 2 - 'How are binary oppositions used in the film Under the Skin? Feedback - discussion of the techniques filmmakers can use to construct women on screen. 1 - Opening scene analysis - watch scene - students to analyse the opening Detailed feedback on slides 2 - The ‘White Room’ scene -students to analyse the scene Detailed notes on slides 3 - The ‘MALL and VAN scenes’ - adoption of gender signifiers - students to analyse the opening Detailed notes on slides 4 - Alien in the Van / Stalking of men scene - students to analyse the scene Detailed notes on slides 5 - The ‘disfigured man’ scene - students to analyse the scene Detailed notes on slides 6 - Ending - chase in the woods/death of the Alien - students to analyse the scene Detailed notes on slides

This pack contains one 31-slide PowerPoint lesson, 1 student booklet, 1 ‘notes and analysis’ handout The lesson covers: 1 - Aesthetics of Pan’s Labyrinth Cold/Blue fascist world Orange/Red/Fantasy world Aesthetic styles: Magical Realism Magical Realism as a mode of exploring horrors of 20th Century fascism. Analysis =- opening scenes: use of aesthetics to communicate social/political issues related to the film Analysis of: Ofelia's introduction / Magical realism Analysis of: The Captain; control, order, blue/black aesthetics detailed feedback and notes provided for each 'textual analysis' task Asthetic inspiration: Disturbing Art Goya's Black Painting / Saturn Devouring his Son Analysis - The Pale Man - links to Fascism, the Catholic Church, destruction of women and children Fascist and Catholic imagery in the Pale Man scenes - detailed exploration of key elelemts of mise-en-scene: Stations of the Cross Stigmata Forbidden Fruit The Holocaust Assessment task included to consolidate student learning.

**This pack contains a 31 slide PowerPoint addressing a contextual reading of the film. A 14 page student booklet is also included. ** This lesson covers: **Aesthetics - magical realism, Phantasmagoria, The Grotesque in Del Toro’s work Aesthetics of PL **- Blue/Black for the real world vs. Orange/red for the fantasy world. Discussion of how aesthetic choices drive meaning in the film. Consideration of past exam question (students will work towards answering this question as they go through this lesson with you) Magical Realism - define and explore. Magical Realism - a vehicle for exploring the horrors of the 20th century. Dr. Tom Shippey article re: magical realism and fascism in the 20th century. Film Analysis Each scene is explored in DETAIL with the students. There are detailed notes provided (these can be given to students, used by teachers to inform their own reading, or ignored in favour of a student lead approach) 1 - intro to the film 2 - Intro to Ofelia 3 - The Captain ** Using Disturbing Art to reflect a disturbed world ** Discussion of 'disturbing art’ Introduction to Goya and his Black Paintings Study of Saturn Devouring his Son - primary aesthetic inspiration for the Pale Man **Analysis: ** 4 - the Dinner scene 5 - the Pale Man - links to fascism, the catholic church, symbolism of the Pale Man as the Captain. Assessment included.

This pack contains a 39 page PowerPoint presentation and a 16 page student booklet. The lesson can be taught as one linear session, or split in to smaller, more manageable sessions. This lesson contains everything you need to prepare students for the contextual issues, and stylistic choices, that inform the film. The lesson covers: Look at past questions - looking for trends and recurring topics Intro to film (basic production context info) Del Toro - mini-auteur study and formation of his style / themes. (Task - watch clips from some Del Toro films. Students to note down stylistic and thematic consistencies in his work) Contextual Issues What is Fascism? History of Fascism in Europe Franco’s Spain - rise of fascism in Spain. Gender - how Franco’s fascist policies impacted women, minorities, non-Fascists in Spain (specific focus on women and how this informs the representation of gender in the film). Role of the Catholic Church - links to Fascism and Franco Additional research links Pre-screening consolidation task - this can be re-visited AFTER the screening. Students can begin building contextual links to the film on their own/in groups before in-depth study begins with the teacher.

This pack contains a 62-slide PowerPoint and accompanying 20 page student booklet. The lesson offers a comprehensive analysis of Vertigo’s post-WWII cultural context with a focus on Post War Gender Relations. The lesson covers: Starter - breakdown of exam / types questions students will face Students to discuss their response to the film and list adjectives for key characters (to be used later in assessments) Analysis of the opening scenes (credits and roof-top chase) Introduction of key themes: voyeurism, women under scutiny, castration anxiety/loss of masculine status Historical Context: the cold war, 1950s as ‘Age of Anxiety’ Gender roles and gender anxiety in post war America Image analysis: compare images of Rosey the Riveter / WWII propaganda that promotes women with 1950s advertisements that position women as domestic, passive, in the home - reflects change in attitudes toward gender roles post WWII How were traditional gender roles reinforced? Psycho-analysis - introduction of key concepts re-analysis of opening sequence - explore castration anxiety in post WWII USA Analysis of Midge’s apartment scene: castrated males, powerful women Repetition compulsion Ernie’s - the feminine ideal / Madeleine = the ‘ideal’ The Bell Tower - phallic image / Scottie’s trauma prevents masculine duty Second Bell Tower scene - the return of the traditional, untraumatised male Assessment included with a plan